CALL
FOR PARTICIPATION:
PROVOCATIVE
PEDAGOGIES: PERFORMATIVE TEACHING AND LEARNING IN THE ARTS
School of Fine
& Performing Arts, University of Lincoln, UK
14 October
2017
Organisers:
Dr
Lee Campbell, Lecturer in Fine Art, University of Lincoln, UK
Lisa
Gaughan, Director of Teaching & Learning and Senior Lecturer, University of
Lincoln
Keynote: Fred Meller, Senior Lecturer, Performance: Design & Practice, Central Saint
Martins, University of the Arts, London
PROVOCATIVE
PEDAGOGIES: PERFORMATIVE TEACHING AND LEARNING IN THE ARTS is an
international conference exploring the possibilities of the emerging field of
‘performative pedagogy’ and its potential as useful and applicable to enabling
learning across a range of artistic and possibly other disciplines.
We
welcome submissions from individuals and groups across all creative disciplines
who deploy pedagogic approaches with an emphasis on performativity to drive
learning. We invite papers,
provocations and practical demonstrations that showcase good practice of making
positive usage of performative teaching and learning.
Submitting a proposal:
• We welcome proposals for 15-20 minute papers and practical workshops (to last up to 1 hour)
Please use the following format for proposals:
• Name, institutional affiliation, contact details
• Title of paper or workshop
• 250-word paper summary (max 1 page A4)
• 50-word contributor biography
• Send proposals as a Word doc by email to Dr Lee Campbell,
at:
lcampbell@lincoln.ac.uk and Lisa Gaughan,
lgaughan@lincoln.ac.uk
• Deadline: Friday 30th June 5pm. Notification of successful applicants: 2nd week of July 2017
• Deadline: Friday 30th June 5pm. Notification of successful applicants: 2nd week of July 2017
All
abstracts will undergo a peer review process to ensure quality and relevance to
conference theme and ambition.
Notes on
organisers and keynote speaker:
Dr Lee Campbell is an artist,
curator and academic. His practice plays with the parameters of contemporary
art that draw attention to the performative and the participative within an art
historical vernacular and seeks to theorise, articulate and demonstrate how we
may construct meaning between politics of space and the politics of artist
articulated through visual and verbal languages. He is very interested in
pedagogical approaches which prioritise performative tactics.
Fred
Meller’s research interests lie in the process of making
performance as a dialogical design practice. Specifically, how the principles
and characteristics of Performance can be used to interrogate, explore and
expand the nature of teaching and learning in the subject area. In particular, she has been researching
disruptive pedagogy and relationships of power in teaching and learning and
design practice.
Lisa
Gaughan’s teaching is informed by her background in the
theatre and a working life in industry. Particular theatre work has explored mental health
issues, and has taken place in schools, prisons and NHS establishments and
elsewhere. She has also undertaken Solo
Performance work and Community Theatre practice.
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